
View across the Venetian Lagoon,
watercolour, 1897
Wilfrid’s first known visit to Venice took place independently of Sargent, in 1897. He is thought to have met up with Sargent there the following year and certainly a number of Venetian views featured in his 1899 show at the Goupil Gallery in London. The experience of studying the work of the Venetian Masters in situ—copies after works by Tintoretto were included in the 1899 show—as well as the unique effects of light on water afforded by the floating city, did much to loosen Wilfrid’s brushwork and to brighten his palette. His early Venetian views are among some of his most vivid and carefree. It was therefore with great pleasure that he introduced his new bride, Jane Emmet de Glehn, to Venice as a part of their extended honeymoon trip in 1904. They met up with friends who were already there, including Sargent, who whisked them away to meet his cousins, the Curtises, at whose magnificent palazzo on the Grand Canal he always stayed.
Jane Emmet de Glehn, 1873-1961
Wilfrid sketching in a Gondola, c. 1904
The Piazzetta di San Marco, oil on canvas, c. 1925



















